Nested Canon Journey
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Chapters

AMN-PLATE-008

The nested canon

Five shapes sit one inside another, and each touches the next at every corner.

Scroll, and the camera moves. Stop, and it stops.

These are the five regular solids: in each, every face is the same shape and every corner is the same. Here the five share one frame. From the outside in: dodecahedron, cube, icosahedron, octahedron, tetrahedron.

The cube's 8 corners are 8 of the dodecahedron's 20, so the two share one sphere.

The icosahedron's 12 corners rest on the cube's faces, two to a face. The octahedron's 6 corners sit at the middles of the icosahedron's edges.

The tetrahedron's 4 corners sit at the centres of the octahedron's faces. That makes 8 + 12 + 6 + 4 = 30 contacts, and the largest error among them is 0.00000000000000011, the limit of the arithmetic.

In the film: the plate's view from above opens into space; the camera falls inward through the five, outermost to core. In red, the tetrahedron's four corners.

The numbers
SolidCornersEdgesFacesC − E + FContacts
Dodecahedron2030122none
Cube812628
Icosahedron123020212
Octahedron612826
Tetrahedron46424
All five5090501030

Of the cube's 48 symmetries, 12 keep all five in place, and none of them is a mirror.

From plate MN-PLATE-008; every point is computed from closed-form coordinates.

BMN-PLATE-009

Two triangles

Plato built four of the five from just two right triangles.

In the Timaeus, written around 360 BC, Plato gives four of the solids to the elements: the tetrahedron to fire, the octahedron to air, the icosahedron to water, the cube to earth. Then he builds their faces from two triangles.

He cuts every equilateral triangle into six right triangles with sides in the ratio 1 : √3 : 2, and every square into four with sides 1 : 1 : √2.

Count them. The tetrahedron has 4 faces, so 24 small triangles. The octahedron has 48, the icosahedron 120. The cube is built from the other triangle: 24 of them.

Fire, air and water share a triangle, so they can trade. One water, 120 triangles, breaks into one fire and two airs: 120 = 24 + 48 + 48. Earth never trades. The dodecahedron uses neither triangle; of the fifth figure Plato writes that “God used it up for the Universe in his decoration thereof.”

In the film: the nest comes apart into Plato's four elements, all of one edge; every face is cut into its triangles; one water's 120 triangles fly into one fire and two airs. In red, the generator, 1 : √3 : 2.

The numbers
SolidElementFacesPer faceTriangles
Tetrahedronfire4624
Octahedronair8648
Icosahedronwater206120
Cubeearth6424
Dodecahedronnone12nonenone
FromIntoTrianglesWhere
1 water1 fire + 2 air120 = 24 + 2 × 48Tim. 56d–e
1 water2½ air120 = 2½ × 48Tim. 56e
1 air2 fire48 = 2 × 24by count
1 water5 fire120 = 5 × 24by count

From Plato, Timaeus 53c–56e, translated by R. G. Bury (Loeb, 1929).

CMN-PLATE-010

Only five

A corner needs room: the angles that meet there must add up to less than 360°.

At every corner of a solid at least three faces meet. Unfold them flat around the point and there has to be a gap. With no gap they lie flat, and cannot fold up into a corner.

A triangle's corner is 60°. Three triangles leave a gap of 180° and fold into a tetrahedron; four make an octahedron, five an icosahedron. Six triangles fill all 360°, and the floor stays flat.

Squares, at 90°, allow three: the cube. Pentagons, at 108°, allow three: the dodecahedron. Hexagons already fill 360° with three, and nothing larger fits at all. That is the whole list.

With p sides to a face and q faces at a corner, the rule is (p − 2)(q − 2) < 4. The red line is where the product is exactly 4, and the three flat floors sit on it.

Around 1630 Descartes found one more thing. Add up the gaps at every corner, and all five give the same total, 720°.

In the film: one corner folds and unfolds, from three triangles to three hexagons; then the chart of every corner, where the five that close stand up out of the sheet. In red, the line where the angles add to exactly 360°.

The numbers
Solid{p,q}At a cornerGapCornersTotal gapEdges
Tetrahedron{3,3}180°180°4720°6
Octahedron{3,4}240°120°6720°12
Icosahedron{3,5}300°60°12720°30
Cube{4,3}270°90°8720°12
Dodecahedron{5,3}324°36°20720°30

Each edge is counted twice, so q × corners = 2 × edges = p × faces, and Euler's count becomes 1/p + 1/q − 1/2 = 1/edges: positive only for the five.

From Euclid, Elements XIII.18, translated by T. L. Heath (1908), and Descartes, De solidorum elementis, in Œuvres X (1908), p. 265.

DMN-PLATE-011

One circle

Put a dodecahedron and an icosahedron in the same sphere. A pentagon of one and a triangle of the other lie on the same circle.

Hypsicles proved it in the second century BC. His book travelled with Euclid's Elements as Book XIV, and in it he credits the result to an older geometer, Aristaeus.

The reason is duality. Put a point at the centre of every face of a dodecahedron and you get the corners of an icosahedron, and the other way round.

A solid and its dual have the same ratio between their inner and outer spheres. Inside one outer sphere they share the inner one too, so every face of either sits 0.79465 of the radius from the centre, and cuts the sphere in one circle of radius 0.60706.

So the theorem belongs to duality, not to pentagons. The cube and the octahedron share a circle the same way, at 0.81650. The tetrahedron is its own dual, at 0.94281.

In the film: a dodecahedron and an icosahedron in one sphere, the icosahedron born from the face centres; face-on, a pentagon and a triangle on one circle; edge-on, the plane that cuts it. In red, the shared circle.

The numbers
SolidFaceFace depth rCircle ρShares ρ with
Tetrahedrontriangle0.333330.94281itself
Cubesquare0.577350.81650octahedron
Octahedrontriangle0.577350.81650cube
Dodecahedronpentagon0.794650.60706icosahedron
Icosahedrontriangle0.794650.60706dodecahedron

In a sphere of radius 1, r² + ρ² = 1 for every face. The dodecahedron's surface and volume both stand to the icosahedron's as 1.09819, Hypsicles' propositions 6 and 8.

From Hypsicles, “Book XIV” of the Elements, translated by T. L. Heath (1908), pp. 512–519, and Heath, A History of Greek Mathematics I (1921), p. 420.

EMN-PLATE-012

Kepler's cosmos

In 1596 Johannes Kepler set the five between the spheres of the six known planets.

Saturn's sphere holds a cube. The cube holds Jupiter's sphere, then come a tetrahedron, Mars, a dodecahedron, Earth, an icosahedron, Venus, an octahedron and, at the centre, Mercury. Each solid fixes the ratio of the sphere outside it to the sphere inside.

Kepler then checked the model against the best distances he had, from Copernicus, and printed the comparison. Mars and Venus, he wrote, came out the same; Earth and Mercury not very different; Jupiter alone was far off.

For Mercury he bent his own rule. Instead of the sphere inside the octahedron, 577 parts per thousand, he used the sphere through the middles of its edges, 707. In red, that bend.

Even his best match, Venus at 794 against the law's 795, rests on a slip in his arithmetic. Worked correctly from Copernicus's own figures, it is 772.

In the film: Kepler's six spheres per 1000 of Saturn's, each solid in its seed orientation; the camera dollies in to Mercury; Copernicus's distances as dashed rings. In red, Mercury on the octahedron's edges: the bend.

The numbers
BetweenSolidLaw1596Kepler's wordToday
Saturn, Jupitercube577635far off544
Jupiter, Marstetrahedron333333the same293
Mars, Earthdodecahedron795757not very different656
Earth, Venusicosahedron795794the same723
Venus, Mercuryoctahedron, edges707723not very different535

Law: the inner sphere per 1000 of the outer, from the solid. 1596: Kepler's own column, the inner planet's greatest distance over the outer planet's least, from Copernicus. Today: the ratio of mean distances. Kepler's orbs have thickness, so the last column shows scale, not his error.

From Kepler, Mysterium cosmographicum (Tübingen, 1596), ch. XIV, p. 49; M. Caspar, Gesammelte Werke 1 (1938), p. 427; NASA Planetary Fact Sheet (2025).

FMN-PLATE-013

Twenty-four waters

One solid can be dressed six ways, and in 1509 each way had a name.

Luca Pacioli's book De divina proportione printed solids drawn by Leonardo da Vinci. Each name follows a small grammar: the solid, then plain, cut or raised, then solid or open.

Cut the icosahedron's corners at a third of each edge and you get 32 faces, 60 corners and 90 edges, the pattern of a football. Raise a three-sided pyramid on every face and you get 60 faces, 32 corners and 90 edges.

Every version keeps Euler's count: corners minus edges plus faces is 2. Leonardo's open frames show the front and the back at once.

Six plates, XXI to XXVI, each seen along four axes, make 24 figures: the number Wenzel Jamnitzer drew for each solid in 1568. In red, plate XXIIII's name as both manuscripts write it.

  1. XXI YCOCEDRON PLANVS SOLIDVS
  2. XXII YCOCEDRON PLANVS VACVVS
  3. XXIII YCOCEDRON ABSCISVS SOLIDVS
  4. XXIIII YCOCEDRON ABSCISVS VACVVS
  5. XXV YCOCEDRON ELEVATVS SOLIDVS
  6. XXVI YCOCEDRON ELEVATVS VACVVS

In the film: one icosahedron turning through Pacioli's six plates, plain, cut and raised, solid and open, then all 24 along four axes. In red, plate XXIIII's name as the manuscripts write it.

The numbers
FormFacesCornersEdgesC − E + F
planus, plain2012302
abscisus, cut3260902
elevatus, raised6032902

The icosahedron turns about 6 five-fold, 10 three-fold and 15 two-fold axes; with standing still, that is 60 turns. The plates: XXI planus solidus, XXII planus vacuus, XXIII abscisus solidus, XXIIII abscisus vacuus, XXV elevatus solidus, XXVI elevatus vacuus.

From L. Pacioli, De divina proportione (Venice, 1509), plates XXI–XXVI, and its Geneva and Ambrosiana manuscripts; W. Jamnitzer, Perspectiva corporum regularium (Nuremberg, 1568).

GMN-PLATE-014

Five cubes

The twenty corners of a dodecahedron hold five cubes at once.

The nest's cube uses 8 of the dodecahedron's 20 corners. Turn the dodecahedron a fifth of a turn and the same 20 corners hold a different cube.

Five turns, five cubes, drawn here in five colours: 5 × 8 = 40 places on 20 corners, so every corner belongs to exactly two cubes.

The dodecahedron's 60 turns shuffle the five cubes in every even way, and there are exactly 60 even rearrangements of five things.

Inside each cube sit two tetrahedra, one of each hand: Kepler's stella octangula of 1619. They cross in an octahedron, and together fill exactly half the cube.

In the film: the dodecahedron with the nest's cube; a fifth of a turn gives another cube, five turns give five; then the stella octangula in the cube. In red, the eight corners of the nest's own cube.

The numbers
TurnHow manyWhat the cubes doCubes left in place
standing still1nothing moves5
a fifth of a turn24all five cycle0
a third of a turn20three cycle2
a half turn15two pairs swap1

In a cube of side 2, volume 8: each tetrahedron 8/3, their shared octahedron 4/3, together 4.

From J. Kepler, Harmonices mundi (Linz, 1619), book II; the turns and volumes computed on plate MN-PLATE-014.

HMN-PLATE-015

The card

Weaving is arithmetic: which threads rise on each pass is the product of three small tables.

On a loom the long threads, the warp, hang from frames called shafts. Foot pedals, the treadles, lift the shafts, and the cross thread, the weft, passes under every lifted thread.

A weaver's draft has four parts. The threading says which shaft holds each warp thread. The tie-up says which shafts each treadle lifts. The treadling says which treadle goes down for each pass of the weft. Multiply the three and you get the cloth.

Around 1804 Joseph-Marie Jacquard replaced the treadles with a chain of punched cards: one card for each pass, with a hole wherever a thread must rise.

This draft repeats every 8 passes and runs back on itself, so passes 6, 7 and 8 reuse cards 4, 3 and 2. Five cards do the work of eight: 80 holes instead of 135.

“We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves.”

Ada Lovelace, 1843, on Charles Babbage's engine. In red, her own italics.

In the film: the draft laid on the floor: threading, tie-up, treadling and the cloth; on each pass the selected threads rise; the five cards below. In red, Lovelace's own italics.

The numbers
CardPassesHoles, first 8 threadsByteHoles in 40
1111000001C115
22, 8011000116320
33, 7001101103620
44, 6000111001C15
55100010008810
5 cards8 passes80 of 135

Each treadle lifts its own shaft and the next, a 2/3 twill; the threading and the treadling both run 1 2 3 4 5 4 3 2.

From A. A. L. [Ada Lovelace], Note A to L. F. Menabrea, “Sketch of the Analytical Engine”, Scientific Memoirs 3 (1843), p. 696; M. Ziegler, Weber Kunst und Bild Buch (Ulm, 1677); W. Watson, Textile Design and Colour (London, 1912).

JMN-PLATE-016

The loom

Where the five run out, the flat weave begins.

Six triangles fill 360° at a point, so they make a floor, not a solid. Alternate triangles and hexagons around every point, 60° + 120° + 60° + 120° = 360°, and the floor becomes a basket weave. Physicists call it kagome, a Japanese word for the eyes of a woven basket.

Weave three families of threads at 60° and their crossings are its points. X passes over Y, Y over Z, and Z over X: no thread lies on top of all the others, and that is why the cloth holds.

Count one repeat of the pattern: 3 points, 6 edges, 3 faces, and 3 − 6 + 3 = 0. On a sphere the same count gives 2 and the gaps add to 720°; on the flat weave it gives 0 and every gap is 0°. One rule covers both: the total gap is 360° times Euler's count.

In red, the eye: the point where the cloth parts.

In the film: the kagome floor from above, then at a grazing angle where the threads rise and dip; one repeat outlined; the cloth parting at its eye. In red, the eye.

The numbers
PatternCloses onPointsEdgesFacesEulerTotal gap
each of the fivea sphereVEF2720°
{3,6}, per repeata torus13200°
{4,4}, per repeata torus12100°
{6,3}, per repeata torus23100°
3.6.3.6, per repeata torus36300°

From I. Syôzi, “Statistics of Kagomé Lattice”, Progress of Theoretical Physics 6 (1951), 306–308, and M. Mekata, “Kagome: The Story of the Basketweave Lattice”, Physics Today 56 (2003), 12.

KMN-PLATE-008

Back to the nest

The five again, standing on the cloth that holds them.

On the folio's first plate the nest stands on this weave. Its threads run along the cube's three axes and cross in the same cycle: X over Y, Y over Z, Z over X.

Count every corner, edge and face of all five: 50 − 90 + 50 = 10, two for each solid. Corners and faces both come to 50, so the set is its own dual.

Every drawing on this page is computed in your browser from closed forms, none drawn by hand, and every number agrees with the nine plates of the folio.

In the film: the nest standing on its weave, threads along the cube's three axes; the camera rises and flattens back into the plate's view. In red, the tetrahedron's four corners.

The folio: nine A2 plates, MN-PLATE-008 to 016.